Chapter 10
Characters: Crispin, Cerdic, Four strange men, Father Quinell (Mentioned few times)
Conflict: Crispin and Cerdic facing four men equipped with weapons
internal: not able to meet Father Quinell at the church
external: facing the men with weapons
foreshadowing: Crispin will likely to be captured.
mood- nervous, curious about next events, tense
protagonist: Crispin
antagonist: Four men equipped with weapons, Cerdic
Setting: Medieval times, outside going to west (church, manor, the mill)
symbol: cross on the church (freedom), weapons (something bad will occur to Crispin)
theme: Don't trust someone thoroughly, always be careful11.
Chapter 11
Characters: Crispin, John Aycliffe, Men from the steward, Father Quinell
Conflict: Crispin trying to run away from the men from the steward
internal: the death of Father Quinell, (not knowing what to do)
external: men chasing him (hesitating where to go)
foreshadowing: Crispin will now desperately run away from the men.
mood: thrilling, interesting, nervous
protagonist: Crispin
antagonist: the men and the steward
setting: Medieval times, mill, near the river (in the water), past the cottages and fields, roads
symbol: death of Father Quinell (a series of more gruesome events will occur, no more safe)
theme: you have to know how to withstand struggles by yourself (be independent)
Chapter 12
Characters: Crispin
Conflict: Aycliffe and his men keep chasing him
internal: the fear that he will go to Hell when he dies alone
external: Aycliffe and his men chasing Crispin, losing the food that Peregrine gave, hearing random noises
foreshadowing- Crispin will be anxious and therefore rely heavily on the gods, because he's thinking something is lurking near.
mood- irritating, hopeful, curious
protagonist- Crispin
antagonist- not really
setting- Medieval Times, along the muddy path, open areas, forest
symbol- the cross of lead (Father Quinell died, and the men are chasing him- but hope)
theme- you can only rely on yourself when every other choice is gone
-Answering a Question (Crispin encounters two dead men shortly after fleeing the village. How does each affect him?)
-First of all, he encounters Father Quinell, the death of Father Quinell makes him sad and somehow irritating, because now nobody can provide him with the information about his parents. Secondly, he encounters with a dead man hanging from gallows. He instantly thinks that this is God's sign of danger and warning, thus, he even thinks he has nearly stepped into Hell. But however, with desire to live, he abandon these thoughts and continue his journey.
Chapter 13
characters: Crispin, John Aycliffe, the man Crispin had seen, bailiff
conflict: hiding away from the men and deciding what to do next internal: thinking about his unworthiness (presence), deciding whether to leave Stromford and go to cities with liberties external: frightening because of the steward and other two men
foreshadowing: Crispin’s desire to live and hope to flee from that tyrannical place will act
as factors for Crispin not giving up his journey.
mood: feeling pity, sad, nervous
protagonist: Crispin
antagonist: The men (John Aycliffe and other two)
setting: Medieval Times, in the woods (forest), along the road
symbol: Crispin’s prayers to God (being hopeless)
theme: Be courageous, and do not think you are unworthy.
Chapter 14
characters: Crispin, and the dead man
conflict: discovering the dead man, not knowing what path to choose now internal: wishing to live instead of dying, deciding which path to choose external: thinking about the dead man after discovering it
foreshadowing: Crispin might still continue his journey in spite of the fact that suspicious events (which he believe) occur periodically.
mood: sad, pity
protagonist: Crispin
antagonist: no one
setting: Medieval Times, along the road, crossroads
symbol: gallows (warning), dead man (Hell)
theme: Do what most appeals you, or makes sense to you.
Chapter 15
characters: Crispin, a person who is singing
conflict: fearing the ruined hamlet internal: fearing about dead spirits, and trying to avoid it external: hearing a singing voice, hoping to gain liberties in a hamlet
foreshadowing: Crispin will meet a new man who maybe would affect Crispin's life adversely or positively.
mood: surprising, curious
protagonist: Crispin
antagonist: no one
setting: Medieval Times, a hamlet placed in a dell
symbol: a man singing (presence of hope in anywhere)
theme: Be hopeful, there are hopes even in a place where pestilence killed everyone.
Chapter 16
characters: Crispin, a man (whom Crispin calls Sir)
conflict: facing a monstrous, somehow evil man, him holding Crispin tightly internal: getting in to rage because of the man's insults external: a big man holding Crispin tightly
foreshadowing: Crispin and the man will get into deeper conflict because of Crispin reaching out for bread.
mood: unexpected, impressed (by Crispin abandoning his self-esteem for food)
protagonist: Crispin
antagonist: the man
setting: Medieval Times, inside of the church
symbol: bread (something that makes people careless)
theme: Think before you act, and consider things with heed.
Chapter 17
characters: Crispin, A man (whom Crispin calls ‘Sir’)
conflict: Crispin trying to get away from that monstrous man internal: Crispin feeling uncomfortable talking about his story external: The man grasping Crispin’s arms and not letting go
foreshadowing: Because the man have found out that Crispin is homeless, maybe he is going to raise him.
mood: tense, somehow irritated by going back and forth, debating too abruptly and restlessly
protagonist: Crispin
antagonist: A man
setting: Medieval Times, inside the church of the ruined hamlet
symbol: the closed door of the church (represents the consequence)
theme: Do not hand out information to foreginers.
Chapter 18
characters: Crispin, A man (whom Crispin calls “Sir”)
conflict: The man forcibly makes Crispin to swear that he will become his servant internal: Crispin feeling deeply anxious about being his servant external: Crispin pleading continually to the man to let go of him free.
foreshadowing: Crispin, a believer of Christianity, will now work as a servant for the man.
mood: astonished (by that time’s culture), curious (whether Crispin will swear or not), interesting or unexpected (Crispin swearing)
protagonist: Crispin
antagonist: The man
setting: Medieval Times, inside the church
symbol: The man’s bushy red beard (evilness, Hell), dagger (an ultimate force)
theme: Take risks and withstand enemies for as longest time as you can.
Chapter 19
characters: Crispin, A man (whom Crispin now calls Bear)
conflict: Crispin having struggles with his new master internal: hesitating whether to reveal his name, withstanding his insults and serving external: serving him as a servant such as carrying his belongings
foreshadowing: “I lifted the sack and began my life as servant to the Bear”
mood: sad, curious (to find out Crispin’s reactions to new ideas)
protagonist: Cripsin
antagonist: His new master
setting: Medieval Times, in church
symbol: Juggling and Music (New ideas and things that Crispin should face)
theme: Encourage yourself to have interests on new issues.
Chapter 20
characters: Crispin, Bear (his new master)
conflict: hesitating whether to follow his new master or not internal: considering to run away from Bear external: feeling sad for the swear he made
foreshadowing: The Bear might do something evil to Crispin unexpectedly, but can also
build up a feeling of intimacy through conversations.
mood: surprised (by Bear’s intimacy to Crispin), curious
protagonist: Crispin
antagonist: Sir Bear
setting: Medieval Times, along the road
symbol: “it’s servile”
theme: Try to adapt well into new environment, because it might turn out to be not bad.
Avoid having preconceptions of other people.
Chapter 21
characters: Bear, Crispin, Bear's father (minor character)
internal conflict: Crispin trying to understand Bear
external conflict: Crispin trying to escape-having difficulties learning juggling and singing
foreshadowing: "Crispin, if I bid you to sing, you'll sing."
-Bear will perhaps continue to make Crispin sing forcefully, in an unpleasant way.
mood: somehow interesting, anxious, curious
protagonist: Crispin
antagonist: Bear- he still thinks it is an opposing force
setting: Forest in England in Medieval Times- along the muddy road
symbol: music pipe and leather balls may represent Crispin's new life.
Chapter 22
characters:Crispin, Bear, Lord Furnival&John Aycliffe (mentioned, minor ideas)
internal conflict: emotionally struggling when tied behind the tree
external conflict: Bear tying Crispin behind the tree
foreshadowing: Bear is trying to learn things about Crispin, which lead the readers to conclude that they will become more familiar. Also, calling his name proves a feeling of intimacy. mood: anxious, exciting, interesting, astonishing
protagonist: Crispin, Bear
antagonist: X (It is not Bear because he benefited Crispin)
setting: England in Medieval Times: a spot away from the road. symbol: Bear’s red beard and bald head may represent Crispin’s closer relationship with Bear. Because if he disliked Bear, he would have used negative simile. However, Crispin described his beard and head are like sun and moon.
Literary Elements Chapter 23
Characters: Crispin, Bear
Conflict: -internal conflict: Crispin talking about him to Bear (uneasiness-mother,x intimate) -external conflict: x
foreshadowing: “Now, Crispin, tell me of how you came to be proclaimed a wolf’s head”
-Bear is going to learn more things about him, and will eventually understand him. (inti.)
mood: anxious, relieving
protagonist: Crispin, Bear (Crispin do have some trust in Bear)
antagonist: X
setting: England in Medieval Times, forest, near some trees
symbol: “About your name? Your mother? Your father?”
-Bear feeling pity and support for Crispin theme: Do not struggle to talk about your past actions, because you might be relieved.
Literary Elements Chapter 24
Characters: Crispin, Bear
Conflict: -internal conflict: Bear is presenting new ideas, trying to comprehend (live by questions, mistake to everything, abandon cross, everyone is master of himself)- makes Crispin confusing -external conflict: X
foreshadowing: “Yet I could not deny, some kindness too....”
-Crispin will become friendly with Bear, because there’s little chance of Bear betraying him.
mood: enlightened, anxious (Crispin still fears him)
protagonist: Crispin, Bear (Crispin do have some trust in Bear)-kindness
antagonist: X
setting: England in Medieval Times, forest, a spot away from the road
symbol: Bear allowing Crispin the freedom to choose: feeling of intimacy. The lead cross: Crispin’s hope, some kind of distrust against Bear's hat: two different sides.
theme: You don't need to struggle to adapt to new environment or ideas.
When looking at things from various angles, it is possible that different thoughts may all be connect.
Characters: Crispin, Cerdic, Four strange men, Father Quinell (Mentioned few times)
Conflict: Crispin and Cerdic facing four men equipped with weapons
internal: not able to meet Father Quinell at the church
external: facing the men with weapons
foreshadowing: Crispin will likely to be captured.
mood- nervous, curious about next events, tense
protagonist: Crispin
antagonist: Four men equipped with weapons, Cerdic
Setting: Medieval times, outside going to west (church, manor, the mill)
symbol: cross on the church (freedom), weapons (something bad will occur to Crispin)
theme: Don't trust someone thoroughly, always be careful11.
Chapter 11
Characters: Crispin, John Aycliffe, Men from the steward, Father Quinell
Conflict: Crispin trying to run away from the men from the steward
internal: the death of Father Quinell, (not knowing what to do)
external: men chasing him (hesitating where to go)
foreshadowing: Crispin will now desperately run away from the men.
mood: thrilling, interesting, nervous
protagonist: Crispin
antagonist: the men and the steward
setting: Medieval times, mill, near the river (in the water), past the cottages and fields, roads
symbol: death of Father Quinell (a series of more gruesome events will occur, no more safe)
theme: you have to know how to withstand struggles by yourself (be independent)
Chapter 12
Characters: Crispin
Conflict: Aycliffe and his men keep chasing him
internal: the fear that he will go to Hell when he dies alone
external: Aycliffe and his men chasing Crispin, losing the food that Peregrine gave, hearing random noises
foreshadowing- Crispin will be anxious and therefore rely heavily on the gods, because he's thinking something is lurking near.
mood- irritating, hopeful, curious
protagonist- Crispin
antagonist- not really
setting- Medieval Times, along the muddy path, open areas, forest
symbol- the cross of lead (Father Quinell died, and the men are chasing him- but hope)
theme- you can only rely on yourself when every other choice is gone
-Answering a Question (Crispin encounters two dead men shortly after fleeing the village. How does each affect him?)
-First of all, he encounters Father Quinell, the death of Father Quinell makes him sad and somehow irritating, because now nobody can provide him with the information about his parents. Secondly, he encounters with a dead man hanging from gallows. He instantly thinks that this is God's sign of danger and warning, thus, he even thinks he has nearly stepped into Hell. But however, with desire to live, he abandon these thoughts and continue his journey.Chapter 13
characters: Crispin, John Aycliffe, the man Crispin had seen, bailiff
conflict: hiding away from the men and deciding what to do next
internal: thinking about his unworthiness (presence), deciding whether to leave Stromford and go to cities with liberties
external: frightening because of the steward and other two men
foreshadowing: Crispin’s desire to live and hope to flee from that tyrannical place will act
as factors for Crispin not giving up his journey.
mood: feeling pity, sad, nervous
protagonist: Crispin
antagonist: The men (John Aycliffe and other two)
setting: Medieval Times, in the woods (forest), along the road
symbol: Crispin’s prayers to God (being hopeless)
theme: Be courageous, and do not think you are unworthy.
Chapter 14
characters: Crispin, and the dead man
conflict: discovering the dead man, not knowing what path to choose now
internal: wishing to live instead of dying, deciding which path to choose
external: thinking about the dead man after discovering it
foreshadowing: Crispin might still continue his journey in spite of the fact that suspicious events (which he believe) occur periodically.
mood: sad, pity
protagonist: Crispin
antagonist: no one
setting: Medieval Times, along the road, crossroads
symbol: gallows (warning), dead man (Hell)
theme: Do what most appeals you, or makes sense to you.
Chapter 15
characters: Crispin, a person who is singing
conflict: fearing the ruined hamlet
internal: fearing about dead spirits, and trying to avoid it
external: hearing a singing voice, hoping to gain liberties in a hamlet
foreshadowing: Crispin will meet a new man who maybe would affect Crispin's life adversely or positively.
mood: surprising, curious
protagonist: Crispin
antagonist: no one
setting: Medieval Times, a hamlet placed in a dell
symbol: a man singing (presence of hope in anywhere)
theme: Be hopeful, there are hopes even in a place where pestilence killed everyone.
Chapter 16
characters: Crispin, a man (whom Crispin calls Sir)
conflict: facing a monstrous, somehow evil man, him holding Crispin tightly
internal: getting in to rage because of the man's insults
external: a big man holding Crispin tightly
foreshadowing: Crispin and the man will get into deeper conflict because of Crispin reaching out for bread.
mood: unexpected, impressed (by Crispin abandoning his self-esteem for food)
protagonist: Crispin
antagonist: the man
setting: Medieval Times, inside of the church
symbol: bread (something that makes people careless)
theme: Think before you act, and consider things with heed.
Chapter 17
characters: Crispin, A man (whom Crispin calls ‘Sir’)
conflict: Crispin trying to get away from that monstrous man
internal: Crispin feeling uncomfortable talking about his story
external: The man grasping Crispin’s arms and not letting go
foreshadowing: Because the man have found out that Crispin is homeless, maybe he is going to raise him.
mood: tense, somehow irritated by going back and forth, debating too abruptly and restlessly
protagonist: Crispin
antagonist: A man
setting: Medieval Times, inside the church of the ruined hamlet
symbol: the closed door of the church (represents the consequence)
theme: Do not hand out information to foreginers.
Chapter 18
characters: Crispin, A man (whom Crispin calls “Sir”)
conflict: The man forcibly makes Crispin to swear that he will become his servant
internal: Crispin feeling deeply anxious about being his servant
external: Crispin pleading continually to the man to let go of him free.
foreshadowing: Crispin, a believer of Christianity, will now work as a servant for the man.
mood: astonished (by that time’s culture), curious (whether Crispin will swear or not), interesting or unexpected (Crispin swearing)
protagonist: Crispin
antagonist: The man
setting: Medieval Times, inside the church
symbol: The man’s bushy red beard (evilness, Hell), dagger (an ultimate force)
theme: Take risks and withstand enemies for as longest time as you can.
Chapter 19
characters: Crispin, A man (whom Crispin now calls Bear)
conflict: Crispin having struggles with his new master
internal: hesitating whether to reveal his name, withstanding his insults and serving
external: serving him as a servant such as carrying his belongings
foreshadowing: “I lifted the sack and began my life as servant to the Bear”
mood: sad, curious (to find out Crispin’s reactions to new ideas)
protagonist: Cripsin
antagonist: His new master
setting: Medieval Times, in church
symbol: Juggling and Music (New ideas and things that Crispin should face)
theme: Encourage yourself to have interests on new issues.
Chapter 20
characters: Crispin, Bear (his new master)
conflict: hesitating whether to follow his new master or not
internal: considering to run away from Bear
external: feeling sad for the swear he made
foreshadowing: The Bear might do something evil to Crispin unexpectedly, but can also
build up a feeling of intimacy through conversations.
mood: surprised (by Bear’s intimacy to Crispin), curious
protagonist: Crispin
antagonist: Sir Bear
setting: Medieval Times, along the road
symbol: “it’s servile”
theme: Try to adapt well into new environment, because it might turn out to be not bad.
Avoid having preconceptions of other people.
Chapter 21
characters: Bear, Crispin, Bear's father (minor character)
internal conflict: Crispin trying to understand Bear
external conflict: Crispin trying to escape-having difficulties learning juggling and singing
foreshadowing: "Crispin, if I bid you to sing, you'll sing."
-Bear will perhaps continue to make Crispin sing forcefully, in an unpleasant way.
mood: somehow interesting, anxious, curious
protagonist: Crispin
antagonist: Bear- he still thinks it is an opposing force
setting: Forest in England in Medieval Times- along the muddy road
symbol: music pipe and leather balls may represent Crispin's new life.
Chapter 22
characters:Crispin, Bear, Lord Furnival&John Aycliffe (mentioned, minor ideas)
internal conflict: emotionally struggling when tied behind the tree
external conflict: Bear tying Crispin behind the tree
foreshadowing: Bear is trying to learn things about Crispin, which lead the readers to conclude that they will become more familiar. Also, calling his name proves a feeling of intimacy.
mood: anxious, exciting, interesting, astonishing
protagonist: Crispin, Bear
antagonist: X (It is not Bear because he benefited Crispin)
setting: England in Medieval Times: a spot away from the road.
symbol: Bear’s red beard and bald head may represent Crispin’s closer relationship with Bear. Because if he disliked Bear, he would have used negative simile. However, Crispin described his beard and head are like sun and moon.
Literary Elements Chapter 23
Characters: Crispin, Bear
Conflict:
-internal conflict: Crispin talking about him to Bear (uneasiness-mother,x intimate)
-external conflict: x
foreshadowing: “Now, Crispin, tell me of how you came to be proclaimed a wolf’s head”
-Bear is going to learn more things about him, and will eventually understand him. (inti.)
mood: anxious, relieving
protagonist: Crispin, Bear (Crispin do have some trust in Bear)
antagonist: X
setting: England in Medieval Times, forest, near some trees
symbol: “About your name? Your mother? Your father?”
-Bear feeling pity and support for Crispin
theme: Do not struggle to talk about your past actions, because you might be relieved.
Literary Elements Chapter 24
Characters: Crispin, Bear
Conflict:
-internal conflict: Bear is presenting new ideas, trying to comprehend (live by questions, mistake to everything, abandon cross, everyone is master of himself)- makes Crispin confusing
-external conflict: X
foreshadowing: “Yet I could not deny, some kindness too....”
-Crispin will become friendly with Bear, because there’s little chance of Bear betraying him.
mood: enlightened, anxious (Crispin still fears him)
protagonist: Crispin, Bear (Crispin do have some trust in Bear)-kindness
antagonist: X
setting: England in Medieval Times, forest, a spot away from the road
symbol: Bear allowing Crispin the freedom to choose: feeling of intimacy. The lead cross: Crispin’s hope, some kind of distrust against Bear's hat: two different sides.
theme: You don't need to struggle to adapt to new environment or ideas.
When looking at things from various angles, it is possible that different thoughts may all be connect.